For those who know me, I am a writer.
For those who don’t know me, I am a writer.
Recently, I have expanded my writing into the Fight Fiction – aka Action / Adventure, aka Pulp – genre, which
was pretty much inevitable because my novels contain lots of exciting action
and fight scenes.
What, exactly, is Fight Fiction. You ask?
Fight Fiction is comprised of tales in which
the fighting – whether it happens in a temple in Thailand, a boxing ring in Las
Vegas, a cage in Atlanta, or in a bar in New York City – is not merely in the
story to make it more exciting; or to add a different spin to it. The fighting
must be an integral part of both the story and its resolution. Take the
fighting out and you no longer have a story. Think Fight Club; Rocky; Blood and Bone; Kung-Fu Hustle; Million Dollar Baby; and Tai Chi Zero.
Writing fight scenes has always been something
I enjoy and that I believe I do fairly well. This is probably due to the fact
that I have been a student of indigenous African martial arts for over forty
years and I have been an instructor of those same martial arts for nearly
thirty years. I am also a lifelong fan of martial arts, boxing and Luchador films.
Recently, I joined a team of stellar authors,
who all write under the pen name Jack Tunney (for e-book versions only;
paperback versions are in the authors’ names), as part of the Fight Card Project.
The books in the Fight Card series are monthly 25,000 word
novelettes, designed to be read in one or two sittings, and are inspired by the
fight pulps of the 1930s and 1940s, such as Fight Stories Magazine and Robert E. Howard’s
two-fisted boxing tales featuring Sailor Steve Costigan.
In 2013, the Fight Card series published twenty-four incredible tales of pugilistic
pandemonium from some of the best New Pulp authors in the business. I am
writing under the Fight Card MMA brand with my book, Fist of Africa.
Here’s a brief synopsis:
Nigeria 2004 … Nicholas ‘New Breed’
Steed, a tough teen from the mean streets of Chicago, is sent to his mother’s
homeland – a tiny village in Nigeria – to avoid trouble with the law. Unknown
to Nick, the tiny village is actually a compound where some of the best
fighters in the world are trained. Nick is teased, bullied and subjected
to torturous training in a culture so very different from the world where he
grew up.
Atlanta 2014 … After a decade of
training in Nigeria, a tragedy brings Nick back to America. Believing the
disaffected youth in his home town sorely need the same self-discipline and strength
of character training in the African martial arts gave him, Nick opens an
Academy. While the kids are disinterested in the fighting style of the cultural
heritage Nick offers, they are enamored with mixed martial arts. Nick decides
to enter the world of mixed martial arts to make the world aware of the
effectiveness and efficiency of the martial arts of Africa.
Pursuing a professional career in MMA,
Nick moves to Atlanta, Georgia, where he runs into his old nemesis – Rico
Stokes, the organized crime boss who once employed Nick’s father, wants Nick to
replace his father in the Stokes’ protection racket. Will New Breed Steed claim
the Light Heavyweight title … Or will the streets of Atlanta claim him?
I really enjoyed writing this book because I
have always wanted to share with the world the fierceness, efficiency and
effectiveness of the indigenous African martial arts for self-defense, as well
as their transformative powers in the building of men and women with
self-discipline, courage and good character. Fist of Africa is a perfect outlet for my unique brand of Fight Fiction, which I
am sure you will enjoy reading as much as I enjoyed writing it.
In Fist of Africa, readers will experience jaw-dropping action on the mean streets
of Chicago, in the sand pits of Nigeria and in cages in the “Dirty South”
(Atlanta), as well as a bit of romance.
Please, enjoy this excerpt, then hop on
over to my website, or to Amazon and purchase the book. You’ll thank me
later.
ROUND SIX
Vee-Vee’s
was packed. The line of men and women spilled out of the Nigerian restaurant
and onto the hot sidewalk as the lunch crowd eagerly awaited the
mouth-watering, sweet fried plantains, egusi soup with pounded yam and coconut
rice.
Standing
in the line, Nick and Baba Yemi still had two customers ahead of them before
they were in the door. Nick rubbed his hands in excitement.
Baba
Yemi raised an eyebrow. “Is the food really that good, Nicholas? You look …
eager.”
“You
just don’t know, grandfather,” Nick replied. “I haven’t had Vee-Vee’s in over
ten years.
“You’ve
had Nigerian food in Nigeria,” Baba
Yemi said. “What’s so special about Vee-Vee’s?”
“It’s
Vee-Vee’s,” Nick responded with a
shrug.
Baba
Yemi shook his head.
“Excuse
me, you just jumped ahead of me,” a woman’s voice said.
Nick
peered over his shoulder. A rotund woman addressed three young men who stood in
front of her in the line.
“Look,
lady, we just want to get some plantains up out of here,” one of the young men
– a lanky teen with jeans hanging halfway off his butt – said. “You look like
you’re about to order the whole damned menu.”
The
young men laughed heartily and exchanged high fives.
“Teens
today have no respect,” the woman said. “If you are the future, we’re in big trouble.”
“Shut
up, pendeja!” Another young man spat.
“That’s moron, in case you don’t know
… pendeja!”
More
laughter from the young men.
“Hold
my place in the queue,” Baba Yemi whispered.
“Grandfather,
don’t …” Nick muttered.
Baba
Yemi approached the young men, stopping a few inches behind them. “You are
being very rude. This young woman deserves an apology.”
The
teens turned to face Baba Yemi. The largest of the trio, a tall, athletically
built young man, who had not yet spoken, looked Baba Yemi up and down.
“Push
on, old man, before you get yourself hurt,” he said.
Baba
Yemi smiled and tapped the young man on his muscular chest. “Hurt? How?”
The
lanky young man with the sagging pants placed a firm hand on Baba Yemi’s
shoulder. “Get gone, old dude, before we kick your …”
The
young man hit the pavement with a dull thump.
“My
hand!” He screamed, clutching at his wrist and writhing in agony.
The
Spanish-speaking young man launched an awkward-looking kick toward Baba Yemi’s
belly.
The
old wrestler side-stepped to his left, bringing his right arm up to scoop the
young man’s leg. Baba Yemi shifted toward the trapped leg, grabbing it with
both arms in a tight grip. He ducked under the leg, lifting his arms over his
head at the same time.
The
young man’s knee twisted at a sickening angle. He landed next to his friend
with the dislocated wrist, who joined him in a chorus of cries, whimpers and
yelps.
Baba
Yemi exploded toward the remaining member of the trio.
The
young man stumbled backward, then whirled on his heels and sprinted off.
The
teen with the sagging pants and damaged wrist helped the young man with the
dislocated knee to his feet. “Sorry, ma’am,” they said in unison.
Baba
Yemi laid a hand on the shoulder of the young man with the sagging pants. The
young man jerked in fear.
“Relax,”
Baba Yemi said. “Let me fix it.”
The
young man cautiously gave Baba Yemi his damaged hand. The old man grabbed the
teen’s fingers and yanked hard. The teen winced at the pain of his wrist
sliding back into its correct position.
“Thank
you,” the young man said. “And I … I’m sorry.”
“What
about my knee, sir?” The Spanish-speaking young man inquired, still gasping in
pain.
“That
is going to require more treatment than I can do here,” Baba Yemi answered. “Do
either of you have a car?”
“Yes,
sir, I do,” the Spanish-speaking youth said.
“What’s
your name, boy?” Baba Yemi asked.
“Hector,
sir,” the young man said.
“And
yours?” Baba Yemi asked the young man with the sagging trousers.
“Miles,”
he answered.
“Miles,
take Hector to the hospital,” Baba Yemi said. “They’ll put the joint back in
proper position, then you bring him to me and I’ll really heal him. Talk to my
grandson over there. He’ll give you the address.”
“Yes,
sir,” Miles said, approaching Nick.
“Thank
you, sir,” Hector said.
Vee-Vee’s
waitress, who had come outside to see what the commotion was all about, handed
Nick an ink pen and an order slip. Nick wrote the address to his parent’s house
on the slip.
The
two young men shambled off, Hector’s arm wrapped around Miles’ shoulder for
support.
“Thank
you!” The pudgy woman shouted. She wrapped her arms around Baba Yemi’s torso
and held him in a warm hug.
The
people in line applauded as Baba Yemi returned to his place in line.
“We’re
running a compound for young thugs out of my parents’ house now?” Nick said,
shaking his head.
“You
weren’t so different when you first came to me, Nicholas,” Baba Yemi said.
“True,”
Nick said.
“So,
I ask again,” Baba Yemi said. “What now?”